Cinderella Review, Derngate theatre Northampton.
THERE’S a tradition with many families at Christmas that shows more faith than going to midnight mass – and that’s booking a year in advance for the Derngate panto.
Lots of Northamptonians do it – after all, the Derngate pantos are fairly traditional and you should reasonably expect something with a famous face, some sparkly costumes and the requisite number of ‘He’s behind you!’s.
They are always Qdos productions, a vast entertainment group who put on commercial, traditional pantos, usually with at least one celebrity turn, up and down the country. Next door at the Royal you’ll find something a little less panto and a little more ‘Christmas play’, and this year it’s the Snow Queen.
If it’s dames and double entendres you’re after, Cinderella has those in abundance. Ben Stock and Bobby Delaney as the Ugly Sisters give it the full-on panto dame routine, with amazing costumes and good comic timing. But they get rather pushed into the chorus by ex-Eastender and rumoured Big Brother contestant John Partridge as Prince Charming, whose stripping and whooping and winking make you think that Cinderella would be furiously swiping left on the fairytale version of Tinder.
When Partridge started singing, and he can certainly carry a tune, my 7-year-old turned to ask: “Is it the interval soon?” She and her 8-year-old friend fidgeted far more than they usually do at the theatre while our 12-year-old, trying his hardest not to sound un-cool, asked if some of the jokes were really suitable for kids, “as it isn’t even like you have to work out what they really mean, it’s just rude stuff.” Then he went back to playing games on his phone.
I’ll admit I was watching through gritted teeth through quite a lot of Cinderella, as young actress Rachel Flynn battled to be heard above her braying prince and the whiney Buttons, played by Britain’s Got Talent semi-finalist Danny Posthill, whose main talent was rapid-fire impressions.
There was a big cheer from the audience when Cbeebies favourite Sid (Sloane) appeared, and he made the cheerful most of his role as the prince’s servant and sidekick Dandini. The beautiful glittery costumes and athletic dance moves of the girl dancers got our seven-year-old back watching and the audience seemed to be whooping along with it all. Either that or they’d been wise enough to have a proper drink beforehand.
There is an intended ‘wow’ moment involving a mechanical horse, some bubbly snow and some stage flying work, but I’m afraid I couldn’t stop laughing at the horse’s gammy leg.
I’ve been to a lot of pantomimes over the years and despite the jokey reputation for it being a long way from high art, the writing has to be good to carry the clichés and flamboyance that comes from having to recycle much-loved stories and carry slightly-famous non-actors.
With Cinderella I got the feeling that the production bosses just couldn’t be bothered this year. Stick some faces up there, work some good dancers into a few routines, call the local dance school for some sweet kids for the chorus, find someone off a TV talent show that at least the teens will recognise and shove in some fart jokes. Work them all solid for a couple of months and take the cash that people effectively pledged without knowing what they were really going to get.
If you’ve already got tickets, or were thinking of going, don’t let this put you off. But if you can, make sure you drop into the theatre’s new Bar Hygge beforehand, for a ‘quick stiffener’. There you go Qdos scriptwriters, you can have that one for next year.